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FIGURE
L.s Galop ou la Galopade.
Un Cavalier et sa Dame se tenant par les mains, 8 chassez de^suite^ur 4? mesures autant
en retcym^ 'a" la place on 16 ehassez snr 8 mesures selon que 1 on est de personnes a
danserclk la dimension de la salle . , v .
Chassez entournant en tenant la Dame ceile ci commencant en arriere et le Lava Lie r en
avant entournant autour de la salle comme dans' la valse pendant 16 mesures, en suite fan e
des glissades sur place, et en tournant a droite pendant .8 mesures de meme a gauche recom-
mencer les chassez en tournant autour de la salle pendant 8 mesures apres faire des glissades
sur place et entournant a gauche pendant 8 mesures et faire saufer la dansense de meme a droite.
r loujours sur le commencement de l’air il taut reprendre la premiere figure en a at.
du haut de la salle en has . + +
Cette danse peut se faire avec un couple seulement ou plusieurs et Lon v peur ajour
toutes les figures que Ton veut .
690
The Celebrated Minuet de Nina.
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Figure de la Boulangere .
' ... > ■ ' , ... ' . ' . •' • ...
Le Grand Rond
Un Cavalier va joiridre la Dame de son voisin de droite, halence et
fait tin tour de main avec elle, et de meme avec toutes les autres
dames ' jusqu’a sa place en suite le grand rond .
Chaque Cavalier fait de meme, en suite les Dames, et toujours le
grand rond apres chaque figure .
^ 690 /
^A’POSITO^
La Monako.
Figure de la Monako.
La Grande Chaine .
Un tour de main avec la Dame .
La Dame de vis_a_vis en avant settle et a sa place
JLe Cavalier de me me .
Un tour de main avec la Dame . .
Les tiroirs avec les vis_a_vis oti la double chaine \
Kn suite la grande chaine a la fin que ehaque
couple a fait cette figure
6'90
!< h'PQ SIT"'
55, St. James' s-street, (opposite Jermyn-street) London, 7 , West morland-street, Dublin,
and 4 Ms Rue de la Paix, Paris,
ESTABLISHED UNDER ROYAL PATRONAGE,
For the Sale of Piano -Fortes, Harps, and all other Musical Instruments,
From the most approved Mahers, at the lowest Manufacturers' Prices, by
WILLIS & CO.
TO THE KING,
THEIR ROYAL HIGHNESSES THE DUKE AND DUCHESS OE CLARENCE AND THE ROYAL FAMILY.
NEW PIANO-FORTE MUSIC.
s.
Adams’ Melange on the. Favorite Airs in “ Masaniello” - - - 4
* Auber’s Overture, “ Masaniello” arranged by T. Cooke - - .3
Bnrrowes ’ Arrangement of the Airs in Auber’s Opera “ Masaniello” 1 to 4 each 4
ditto t of the Overture to ditto - - - 3
Burrowes’ Tyrolian Airs, No. 1 - - - - - 2
Barton’s Medley Overture to Thierna-na-Oge - - - -2
r New Overture to the Heart of Mid Lothian - - 3
* BulJteley’s Madame Dussek Vars. to “The Mountain Boy” - - 2
ditto ditto “Love and May’’ - - 1
Carnaby’s Variations on “ One hour with thee” - - - 3
Chaulieu’s Fantasia on the Airs in Rossini’s New Opera, the “ Siege ofCorinth” 5
— — Variations on Cherry Ripe - - - - - 2
Cianchettini’s Arrangement of the Airs in Mayer’s Opera “ Medea” in 2 Bks. each 4
Clifton’s Variations on the Airs in “ The Siege of Corinth” - ■ - - 5
Fetis' Overture, “ Love in Wrinkles” - - - - 3
Variations on Madame Malibran’s Air “ Sweet Remembrance” - 4
*Gomis’s Variations to the “ Swiss Boy” - - - - - 2
Goss’s Arrangement of the Market Chorus in Masaniello - - - 2
11 iinten’s Brilliant Rondo on Meyerbeer’s Chorus, “ Nel Silenzio” - - 3
— — ■ Rondino from “ The Siege of Corinth” - - - 2
Hertz’s Variations to Rossini’s Greek Chorus in “ The Siege of Corinth’’- 5
Arrangement of the Greek March in ditto - - - - . 3
-r Variations to “Ahp'erdoha” - - - - .5
ditto “ Aurora che Sorgerai” - - -5
* Hull’s Favorite Slow' and Quick Marches of the 4th Dragoons Regiment - 2
*Hullmandel’s Rondos, “ La Rose et les Papillons,” and Souvenirs de Malibran ea. 3
Knapton’s Variations to “ I’d be a Butterfly’’ - - - - 3
: ditto to “ Fly away pretty Moth” - - - - 3
— — ditto to “ Hurrah for the Bonnets of Blue” - - 3
■« ditto to “ Evening Song of Tyrolese Peasants” - - 3
Kialmarh’s Divertimentos on the Tyrolese. Airs - - No. 1 & 2j each 3
Lacy’s Arrangement' of the Airs in “Love in Wrinkles” ..... - 5
Ling’s Variations to “ The Lover’s Mistake”. - - - - 3
^Moves’ Fantasia on the “Song of Ireland” - - - - - 3
Variations on “ St. Patrick’s Day” - .... 3
* Moschcles ’ Divertimentos, Nos. 1, 2, & 3, containing all theNational Swiss Airs
sung by the Tyrolese Family Rainer - - - - each o
Pixis’ Melange on the favorite Airs in Rossini’s Opera, the “Siege of Corinth” 4
Notturno on ditto from ditto, for the Piano-forte and Violoncello - 5
Variations on “Der Schweitzerbue,” or the Swiss Boy, arranged for the
Piano-Forte, from the Vocal. Variations sung by Mademoiselle Sontag - , 2
with Violin and Violo. Accompaniments, by the Brothers Bohrer - 6
Brilliant Rondo on “ Hurrah for the Bonnets of blue” ' - - 3
Reinagle’s Swiss Boy, Piano-Forte and Violoncello 3
*Ries’ Military Divertimento on the Duke of York’s March '- - - 5
Brilliant Variations on “ Rule. Britannia” - - 6
* Fantasia, with Irish Airs, Op. 85, No. 1 - , - - - 3
Grand March ditto No. 2 - - - - 2
— — Irish Rondo ditto No. 3 - - - - 3
R awlings’ Divertimento, in which is introduced, “The Bonnie wee Wife” - 3
ditto ditto “See our Bark” - 3
Variations on the “ Swiss Boy” - - - - 2
Rossini’s Overture to the “ Siege of Corinth” 3
Voigt’s Rondo on the “ Swiss Boy” ------ 1
Rondo on Weber’s last Waltz - - 1
* Valentine’s Fantasia, “ Recollections of Switzerland,” Nos. 1 & 2' - - 2
ditto on “Cherry Ripe” ----- - 2
Wesley’s Fugue, Introduction and Air, and March - - - each 2
* Willis’s Marches, dedicated to Lieut.-Colonel Stewart & Sir David Baird 1 6 & 2
NEW HARP MUSIC?.
*Bochsa’s“ Souvenir du Tyrol,” a Petit Melange, in which are introduced the
favorite Airs sung by. the “ Raiuer Family” -
“Masaniello, ”'No. 1, 2, & 3 ,
Vars. to “Pietosa a miei lamenti” - - - -
Bulkley’s Variations on “ Deck not witlf Gems” ....
Variations on “ Blue Bonnets over the Border” -
s. d.
Chipp’s Brilli'ant Valuations on “I’d be a Butterfly’’ -
Rondo on “Cherry Ripe” -
Divertingento on “ Hurrah for the Bonnets” -
- Variations . on “ The Swiss Boy”
Labarrc’s Variations to “Kathleen O’Moore” - -
— — - Variations on the Barcarole in “ Masaniello” - _ - -
— -J-* ~ Trois Petits Rondos- - I - - -
Divertimento on the favorite Airs in “ La Dame Blanche” -
Fantasia on Rossini’s Greek March: in the “ Siege of Corinth”
; and De Beriot’s Duet, Harp and Violin, on ditto, in ditto -
*Mayer’s Instructions for the Harp (new edition) ---
Variations on “The Banks O’Doon”
Stockhausen's ditto on an admired “ Swiss Air” and “ French Air”
each
Wright’s arrangement of “ Blue Bonnets over the Border”, and “ Blink over
the Burn,” - - - - - - ' -
Fantasia on “ Erin’s Harp,” and Auber’s “ Market Chorus”
Souvenirs des Rainers
each
HARP AND PIANO-FORTE DUETS.
Attwood’s arrangement of the “ Tyrolian Airs, sung by the Rainers,” with Violin
or Flute, and Violoncello accompaniments Book 1 and 2, each
Bochsa’s ditto, ditto, with ditto - Book 1 and 2, each
ditto, Turkish- Chorus from the “ Siege of Corinth,” with ditto
Arrangement of The Market Chorus and Barcarolle from “ Masaniello”
Prayer and T riumphal March in ditto -----
— ■ Trois Airs de Danse in ditto
— Fishermen’s Chorus in ditto -----
Bulliley’s Variations to “ I’d be a Butterfly” - - -
Desargus’ Fantasia on the Favorite Airs in “ The Siege of Corinth” -
Ncidennan’s Duet, Op. 34. - - - - - - -
Perifjml’s Divertimento on “‘Cherry Ripe’’ -
| Ries’ Grand Duet for Two Piano-Fortes ancl Harp, or Harp and Piano-Forte -
Weippert’ s Divertimento on “ Giovinetto Cavalier” ...
- 4 0
NEW _ QUADRILLES.
* The Brighton Quadrilles , — containing “ Fly away pretty Moth,”
“ Hurrah for the Bonnets, &e.” - - - by Kirchener • 4
* The Butterfly Q uadrilles ,- — containing “ I’d be a Butterfly, &c.” Weippert - - 4
Blue Bonnet Quadrilles , — containing “ Blue Bonnets over the
Border,” &c. ------ Ditto -
*Cherry, Ripe Quadrilles, (new edition) containing the popular
song of “ Cherry Ripe” Ditto - - -
Captive Quadrilles, containing “ The Captive Knight” - Musard - -
The Cimarosa Quadrilles, from “ 11 Matrimonio Segreto” - Miss Brownc-
Tlic Graces Quadrilles, with original Music - - by Spagnoletti -
* The Lancers Quadrilles, Music by Spagnoletti and Yaniemez Duval - .
* Maria Stuart ditto , with Signor Coccia’s original Music - Weippert - -
Medea ditto, with Mayer’s original Music ... Ditto - - -
Masaniello Quadrilles, No. 1,2, & 3 - - - Ditto - each
Neapolitan Quadrilles and a Waltz - Miss Barlow -
The Siege of Corinth Quadrilles, with Rossini’s Greek March - Musard - -
The Sergeant’s Wife Quadrilles, with original Music - - J. Goss - -
* Tyrolese Q uadrilles, — No. 12, and 3 - - - Weippert, each
*l’he. Welch Quadrilles ----- Miss Browne
PIANO-FORT DUETS.
Burrowes’ Airs in “ Masaniello,” No. 1 to 4
Overture to ditto
each
Siege of Corinth”'
- Book 1 and 2, each
Clifton’s arrangement of Rossini's, Overture to the *
Qaudry’s Variations to “ Non piu andrai”
* Holden's Melodies for Juvenile Performers -
Holst’s arrangement of “ Cherry Ripe”
arrangement of “ The Lancers Quadrilles” -
Moscheles’ arrangement of the Tyrolese Airs, sung by the “Rainer Family,”
In 2 Books, each
■Pixis’ Arrangement of “ The Swiss Boy” - - -
Arrangement of “ The Swiss Quadrilles” -
Sykes’ Arrangement of “ The Tyrolese Quadrilles” - .-
Voigt’s ditto of the “ SwissBoy” ------
Webbe’s ditto of Weber’s Overtures, — “Preciosa” and “ Freischiitz” each
* Willis's Juvenile Duets, No 1. to - - - - each
FLUTE AND VIOLIN MUSIC.
Nicholson's arrangement of the Tyrolese Airs sung by the Rainers, with a Piano-
Forte accompaniment by Bochsa - - In 2 Books, each
Sedldtzek’s ditto, ditto, with a Piano-Forte Accompaniment, taken from A/r.
Moscheles’ Tyrolese Family - - - In 3 Books, each
Tulou’s Fantasia, (Flute and Piano-Forte,) on favorite Airs from the “ Siege
of Corinth” - - - - .
Turtle’s Selection of Flute Beauties, No. 1 to 9, containing all the Popular
Songs published by Willis and Co. - . - each
Weiclner's Fantasia on Haydn’s Movement, “ The Surprise” Op. 39 -
Weiss’ “ Le Depart pour ies Alpes,” for Flute and Piano-Forte
0 0
6 0
MILITARY MUSIC.
'’Twelve popular Songs, arranged for a full Band, by R, Dressier
Twelve Tyrolese Melodies, sung by the Rainer Family, arranged by I?. Dressier
Ditto ditto, for three Bugles - . by ditto
10 f>
10 6
3 0
THE ABOVE PUBLICATIONS THUS MARKED HAVE VIGNETTE TITLE PAGES.
EVERY NEW MUSICAL PUBLICATION OE MERIT.
l$iano= Het out on m ®ofon or ©ountrg* ^
AN EXTENSIVE LIBRARY FOR THE CIRCULATION OF MUSIC.
Bar P> Gvitmr, and Violin Strings, Music Paper, Blanlt Books, Ruled Slates, and the PATENT BAR FOLIO, for holding Music, Prints,
JSeivspapers, Pamphlets, <5fe. on a new and extremely simple construction, loldch secures the Contents as firmly as if Bound.
4 rrTi. Rjj. V4 E. IF.TY Q -E.X UF, »R R^J A>r . F - QT . T4^w iii-citFRopucES_THE MOST BEAIJTIFUL HARMONY, BY MERELY
Twm
rammfe of
K A X © I 1 I ii, H?
And Ike mew polish. dance Ike
C R A C O V I A C ,
44 J I^orfk Hamorigr . Street EdMkwgk,
Ikxwmeb for the
tint. Stct.HaU. . Price* *2/6.
An// of the. Mu sir Seilers.
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DIRIGItYAjL M*A!ZOVRM‘*A . Figure explained in Lowe’s Assembly Guide page 4-9.
Fl&URE FIRST.
I. All eight join hands, and dance round to the left with Maz-
ourka step 8 bars.
II. All join hands with partners (as for Tour de Mains), and dance
hack to places with same step, — the gentlemen with hacks to-
wards the centre, each facing his own partner. ... 8 bars.
III. The first couple promenade round inside the figure and fin-
ish in places ® bars.
IV. The same couple do the Mazourka Balaneez or setting step
in places ® bars.
V. All eight cross their partners, passing on the right (with
Waltz step), and set, then all turn partners. with both hands,
into places • 8 bars.
VI. All eight join hands with partners, as for the promenade,
and advance into the centre; all turn round without quitt -
ing the hands, and return to places 8 bars.
The second, third, and fourth couples, in rotation (after the
first and second figures), do the third and fourth figures, and
all repeat the fifth and sixth figures, after each couple dance
their Pas de Deux.
Lowe's Mazourka N?I.
I. All the gentlemen move at onc-e to the ladies on their left, keeping
right shoulders towards them, while ail the ladies at the same time
make the “Waltzing Step (once over) into the eentre . The gentlemen
then make the Waltzing Step into the centre, while the ladies re-
turn to their places. This figure is repeated four times, toe gentle-
men dancing round the different ladies to the left, finishing with
partners, the ladies repeating the Waltz step to the centre as each
gentleman passes round ...... 16 bars,
II. Tiroirs by the first and third couples, viz. the first couple change
places with the third, passing b'etwe'en In returning to places, the
third couple pass between the first ..... 8 hars.
III. The same couples do the MaZonrka Balance* or setting step in
places 8 bars.
IV. All the ladies move at once in before the gentlemen on their right,
and set; they then pass hack to back with them, finishing in the
centre before their own partners, with whom they perform the same
figure 1® hars.
V. Each lady then takes her partner by the right hand, and goes round
him, letting the arm pass over his head; the gentleman then takes
the lady by the left hand, and turns her under the arm. This fig-
ure is repeated, the second time the lady turning into her own place
on the right of her partner. Then all commence the figure againas
before, the second and fourth couples doing the Tiroirs 'lie second
Lowe's Mazourka N? 2.
time.
4
JkfiaA. 7, 01 i ]R 1C *A .
FIGURE THIRD.
I. All the ladies move into the centre (4 bars), then go hands
round to the right (4- bars), while all the gentlemen at the
same time dance round outside to the left, during the same
eight bars; the ladies then, go hands across back to the left,
finishing in places, while the gentlemen dance back to the
right to their places, 8 bars more, making 16 bars for the
performance of this figure.
JL All eight do the Mazourka Balancez in their places . 8 bars.
IJJ. All eight cross their own partners with "Waltzing Step, and
set, then turn with both hands into places 8 bars.
IV. The first couple then advance into the centre, holding the
hands as for the promenade. The gentleman kneels on the
4th bar, the lady holding the left hand, goes round him, pass-
ing the arm over his head; he rises on the 8th bar and both
do the Mazourka Step (or "Waltz) to places, with next 8 bars,
making 16 bars in all for the performance of this figure.
Then all commence the figure again from the commencement,
till the second, third, and fourth couples have done the kneel-
vng figure; then finish with hands round, the musicians play-
ing the first part of the tune again .
Lowe’s Mazourka N9 3.
U±tf * LELLJ+
f
NETV* POLISH £>*4NCE, THE CR*ACOV*I%AC 9 As taught at Mr. & Mrs. Lowe’s Academy, 44, Hanover Street.
DANCED BY EIGHT PERSONS, IN THE FORM OF THE QUADRILLE.
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WALTjz'
time*
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VIVACE.
I. All join hands and dance round to the left for 8
bars, finishing with three stamps . The same back
to places 1® bars.
II. First and third couples ehassez across each other ,.
finishing with Jette Assemblie; three stamps and.
three heel heats'. The same again in returning to
places (8 bars.) Second and fourth couples repeat
the same figure (8 bars,) allowing 16 bars for the
performance of the figure.
III. First and third couples take hands as for the Pous_
ette, and dance round each other, the gentlemen pass-
ing hack to hack in leading the ladies round (8 bars)
Second and fourth couples repeat the same figure
(8 bars,) allowing 16 bars for the performance of
the figure.
WALTZ TIME.
IV. All eight join with partners, and waltz twice fully
round the circle, finishing in places. This completes
the figure; then the 2-4 time commences again.
SECOND COMMENCEMENT.
I . All eight turn partners round to the left, for 4 bars,
finishing with three stamps; the same back to the right
making 8 bars. All eight then turn at the corners, in
the same manner as they turned partners, thus allow-
ing 16 bars for. the performance of the figure. Then
the second and third figures repeated as above, al-
ways finishing with the Waltz .
THIRD COMMENCEMENT.
I. All the gentlemen advance and retire; then hands four
round, and finish in places (8 bars); all the ladies do
the same (8 bars)— thus allowing 16 bars for the per-
formance of the figure. Then the second and third
figures repeated as before finishing with the Waltz.
FOURTH COMMENCEMENT.
■ I. All the gentlemen again advance into the centre and
make three stamps and three heel beats, hands across,
quite round, and finish in places (8 bars); all the la-
dies do the same (8 bars), allowing 16 bars for this
figure. Then the second and third figures repeated
as before, finishing with the Waltz .
FIFTH COMMENCEMENT.
I. All the ladies ehassez before the gentlemen on their
right, and make Jette Assemblie; three stamps and
three heel beats; then turn with both hands, and fin-
ish in places (8 bars.) The gentlemen then ehassez
before the same ladies, and perform the same figure
(8 bars), allowing 16 bars for this figure. Then the
second and third figures repeated as before, finish-
ing with the Waltz; then conclude .with hands round
and back, to the first part of the tune.
This Favorite Dance was first introduced into Eng-
land, in May last, at the Queen’s Juvenile Assembly, and
was given to Mrs. LOWE by the Professor who taugh* i;
to the PRINCESS VICTORIA.
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& See fanatviK . *'**£ 555 *
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to vvMckis cid(l('<J.^i JlewMd|5 by bjg'^iagiiolol 1 1 .
«m 3 . tlie. q # r ^
Heepedfuly ‘dA 2 .ca.leyl to the.
ErU. at Stai.Eall.
London Pa/luled fyj. LflLLLS SCO? Aorcd ■ Musical- Remmfo/y,
Egyptian FI 'all IhccaallFr F " ? Jfea/: morion d PfDullm ,
■ 1J 7 h* Public arepartuularly* ccvutia-ned. cufcuwt spur ‘ioico (bpiea of IhisWorA 31 core requested
to observe that no other set can contain the whole of lie. Original lloief hit tk/Mc I corona the Sut nature at'
Ppee yctfl'-Lii/i •' AB$&kd ifn cot-.. -3 Lr-exef .
la A JD OjRSifiT -
La l^Dame et MonsT vis.a_vis chassent a la
droite et a la gauche; tournent tout au tour avec
la main droite aux places- la l er Dame et MonsTet
le couple vis-a-vis chan gent de places, et retour _
nent la l e . r Dame et MonsT passant au milieu et re_
tournent aux places passant dehors, les 4 Mess rs
joignent leurs mains Rauches au milieu enmeme
tem|>s leurs mains droites a leur Dames tous for-
mant une croix hallotez.les Mess 1 ; 8 changent de
places avee leurs Dames, les quatre Dames venant
aux milieu joignent la main gauche et droite Tune
aver 1 autre formant cage le quatre Dames avec.
leurs mains jointe dansent tout au tour a la gau-
che pendant que les 4 MessT s a tout seuls dansent
tout au tour au dehors, tournent leurs Dames aux
1 . Lady and opposite Gent: chassez to the right
and left and swing quite round with right hand
to place 1 st Lady and Gent: and opposite couple
change places and hack again, I s .* Lady and Gent
passing in the centre and return to places pass
ing outside, the 4 Gent: join left hands i.n the
centre at the same time, their right hand to theii
partners, all forming a cross and ballot ez, the
Gentlemen change places witii their partners;
the 4 Ladies coming to the centre joining both
left and right hands with each other, forming
a cage, the 4 Ladies with hands joined dance
round to the left, while the Gentlemen singly
dance quite round the reverse way outside,t hen
turn their partners to their places .
The other 6 do the same
ices .
Les autre 6 font la meme chose.
Tile 1^ 2 and 3^ Figures commence with the
2 n .^part of each tune.
r to
4
LODOIEKi
Kreutzer .
FIGURE. II'.
Ee Cavalier et sa Dame en avant et en
arriere en avant laissant la Dame chas _
s^z dechassez, tour de mains chaine An_
i^laise Ballaneez a la Dame du cote' en
avant en ligne tour de mains a vos pla-
ces .
st
1. Gent: and Lady advance and retire twice,
the 2”^ time he leaves the Lady on the left of
the opposite Gent: Chassez to tfye right and left,
and turn your partner right and left entirely
Ballaneez to the sides, then advance and retire
in two lines and turn partners to places.
The other 6 do the same .
4-0
o
JLA NATIVE
6
F I GURE
La premiere Dame chasse en avant seal alors
le MonsF vis.a-vis toar les deux chassent a
droite pirouette, chassent et glissent assemblent
tout au tour a la gauche a leur places, apres
les quatre Dames joignent leurs mains droites
au milieu en meme temps donnent leurs mains
gaijches aux mains gauche de leurs Mess r . s tous
dansent tout au touren forme d une croix fai .
sant le grand moulint chaque MonsF tourne sa
Dame tout au tour . a la gauche a leurs places .
Les ^utre 6 font les meme chose.
III.
1 • Lady chassez forward alone, then the
opposite Gent: -Both chassez to the right
and pirouette Chassez and glissade assem _
hie round to the left into their own places,
then the 4 Ladies join their right hands in
the centre, at the same time giving their
left hands to their partners left hand, all
dancing, quite round in the form of a cross,
each Gent; turns his partner round to the
left into their own places .
^ he other 6 do the same .
FIGURE. IV.
Un Cavalier et sa Dame avec la Dame de
gauche en avant trois et en arriere, deux
Balancez et passez entre les deux Dames
Demie rond a trois a gauche, et demie rond a
droite, la meme chose pour les autres Cava _
liers, apres les. Cavaliers les Dames en tout
autant .
One Gentleman and his Partner with the Lady
on his left, the three advance and retire twice,
Balancez and pass between the two Ladies,three
half round to the left and hack a£ain,the other
three Gentlemen do the same figure, after which
the Ladies do the same" figure with the Gen _
tlemen .
40
LES LAICIEIS.
Yi
arueuicz .
7
A la droit et la gauche tout au tour ballotez
chaque fois la droite et la gauche se donnent,
le Premie r Monsieur donne sa droite
a la gauche de sa Dame et se tournent
eti demie rond dans leurs places, leurs dos
au troisieme couple, le second Monsf et sa
Dame suivent le premier couple, le trosieme
Mo ns r et sa Dame suivent le 2 d couple, le
4c* 1 Mo ns T et sa Dame suivent le 3 d couple .
U ne couple avance seulement a la fois, et
ils se forment en deux lignes les Darpes a
les droite des Mess” s fesant tous sfaces au
haut de la salle chassez partout pas de basque
de chassez pas de basque, les MessT' S tournent
en rond a la gauche, et les Dames^a la droite,
les MessT s suivent le premiere Monsf et
les Dames suivent le premiere Dame
quand ils retournent a la places ou ils
etoient avant quils se soient tournes apres
ils forment deux lignes chaqus MonsT vis _ ’
a'_vis sa Dame en avant et en arriere chaque
Monsf tournent leurs Dames- dans leurs
places et la danse fi nit avec le grand quarre.
Les autre 6* font la meme chose.
Right and Left . all round making ballotez every time
the right and left hand is given, l st Gent : gives his right
hand to his Partner s left and turn half round in their
own places, their backs to the 3 d Couple the 2 d Gent. &.
Lady follow the 1’. Cou: the 3 d Gent :& Lady follow the 2 d
Cou: the 4a ’Gent: & Lady follow the 3’* Cou: only one Cou.
advancing at a time, when all form in two lines the Ladies
on the right ofthe Gent” all facing the the top of the room
then chassez all across twice, and pas de basque twice, the
Gent” turn off round to the left, and the Ladies to the
right Gent” following, l^Gent: and the Ladies follow-
ing L. Lady, when all are returned to the former situa-
tion they turn off, then form two lines, each Gent: facing
| his partner and chassez forward and back, each Gent:
i turns his Partner into their own places .
Conclude with the grand Square; viz: l?*and 3 d Couple
chassez forward, while the side Couples chassez open
| I s & 3 d Cou: chassez open while the side Couples chas. ^
sez forward; 1^8c 3 d Cou: chassez back, while the side
Cou: chassez close, r^& 3 d Cou: chassez close into places,
while the side Couples chassez backward into places .
The figure commences next with the 2 d Cou:then with
the 3 d then with the 4. _ When the said Couples co m -
mence the figure they chassez forward in the Square,
while the & 3. Couples chassez open .
.st.
This Dane? begins with the 1'. part of the Air played
Unit t:iih y;irt played once, ending with the first ynrt .
twice, it commences each time lifter with the 2 '} part played tv
NR . This Air is Published by permission of MT Yaniewicz
40
THE STOI "WALTZ.
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’ ’ and 4 bis Rue de la JPaix , Paris,
ESTABLISHED UriSBR. BCY&I. F&TEOEAGE,
For the Sale of Piano-Fortes, Harps, and all other Musical Instruments,
From the most approved Mahers, at the loivest Manufacturers ’ Priafi, by
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S " TO THE KING,
THEIR ROYAL HIGHNESSES THE DUKE AND DUCHESS OF CLARENCE, AND THE ROY^L FAMILY,
each
NEW PIANO-FORTE MUSIC.
Adams’ Melange on the Favorite Airs in “ Masaniello”
*Auber’s Overture, “ Masaniello” arranged by T. Cooke - > -
Bnrrowes ' Arrangement of the Airs in Auber’s Opera “ Masaniello 1 to
. ditto of the Overture to ditto - - "
Burrowes ’ Tyrolian Airs, No. 1 - - * " ' „
Barton’s Medley Overture to Thierna-na-Oge _ - - - ' o
New Overture to the Heart of Mid Lothian "
* Bulheley’s Madame Dussek Vars. to “The Mountain Boy” - - ^
ditto ditto “Love and May” - - - t
Carnaby’s Variations on “ One hour with thee” - - . "
Chaulieu’s Fantasia on the Airs in Rossini’s New Opera, the ‘ Siege of Corinth 0
Variations on Cherry Ripe - - - ‘
Cianchettini's Arrangement of the Airs in Mayer's Opera “ Me.dea m 2 Bks. each
Clifton’s Variations on the Airs in “ The Siege of Corinth” - °
Fetis’ Overture, “ Love in Wrinkles” - - '
- Variations on Madame Malibran’s Air “ Sweet Remembrance” - - 4
*Gomis’s Variations to the “ Swiss Boy” - - - - ~
Goss’s Arrangement of the Market Chorus in Masaniello - - ~
Hiinten’s Brilliant Rondo on Meyerbeer’s Chorus, “ Nel Silenzio” - - ”
Rondino from “ The Siege of Corinth” - - ' r
Hertz’s Variations to Rossini’s Greek Chorus in “ The Siege of Corinth - o
Arrangement of the Greek March in ditto “
Variations to “Ahperdona” f
ditto “ Aurora che Sorgerai” - °
* Hull’s Favorite Slow and Quick Marches of the 4th Dragoons Regiment - 2
*Hullmandel’s Rondos, “ La Rose et les Papillons,” and Souvenirs; de Malibran ea. y
Knapton’s Variations to “I’d be a Butterfly” - ‘ „
ditto to “ Fly away pretty Moth” - - * o
ditto to “ Hurrah for the Bonnets of Blue” - - ”
ditto to “ Evening Song of Tyrolese Peasants” - - ”
Kialmark’s Divertlmentas on the Tyrolese.Airs - - No. 1 & 2, each 3
Lacy’s Arrangement of the Airs in “ Love in Wrinkles” - - "
Ling’s Variations to “ The Lover’s Mistake” - “ “
*Mevcs’ Fantasia on the “ Song of Ireland” - - "
Variations on “St. Patrick’s Hay” - " " . . • . "
^Moscheles’ Divertimentos, Nos. 1, 2, & 3, containing all theNational Swiss Airs
sung by the Tyrolese Family Rainer - - - ~
Pixis’ Melange on the favorite Airs in Rossini’s Opera, the Siege of Counth
Notturno on ditto from ditto, for the Piano forte and Violoncello - °
Variations on “Her Schweitzerbue,” or the Swiss Boy, arranged for the
Piano-Forte, from the Vocal Variations sung by Mademoiselle Sontag - 2
with Violin and Violo. Accompaniments, by the Brothers Bohrer - o
Brilliant Rondo on “ Hurrah for the Bonnets of blue” - ”
Reinagle’s Swiss Boy, Piano-Forte and Violoncello - - - - . "
*Ries’ Military Divertimento on the Duke of York’s March - - ”
Brilliant Variations on “ Rule Britannia” ^
* Fantasia, with Irish Airs, Op. 85, No. 1 - - - ”
Grand March ditto No. 2 - - - ~ i
- Irish Rondo ditto No. 3 - _ - - '
Rawlings’ Divertimento, in which is introduced, “T he Bonnie wee W ife - 3
ditto ditto “See our Bark” - - 3
, Variations oil the “ Swiss Boy” - - " r " ■ . ?
Rossini’s Overture to the “ Siege of Corinth” - - - “ . ”
. Voigt’s Rondo on the “ Swiss Boy” - - - ' ~ 1
— Rondo on Weber’s last Waltz - - - • *
* Valentine’s Fantasia, « Recollections of Switzerland,” Nos. 1 & 2 - - 2
ditto on “ Cherry Ripe” * ~
Wesleu's Fugue, Introduction and Air, and March - _ - " Z.
* Willis’s Marches, dedicated to Lieut.-Colonel Stewart & Sir David Band 1 6 &. -
NEW 'QUADRILLES.
*Thc Brighton Quadrilles , — containing “ Fly away pretty Moth,”
“ Hurrah for the Bonnets, &c.” - - - - by
*Tlie Butterfly Quadrilles , — containing “I’d be a Butterfly, &c.”
Blue Bonnet Quadrilles , — containing “ Blue Bonnets over the
Border,” &c. - - - -
* Cherry Ripe Quadrilles, (new edition) containing the popular
song of “ Cherry Ripe” - - - -
Captive Quadrilles, containing “ The Captive Knight”
The Cimarosa Quadrilles, from “ II Matrimonio Scgreto”
The Graces Quadrilles, with original Music - - by
*Tlie Lancers Quadrilles, Music by Spagnoletti and Yaniemiez
* Maria Stuart ditto , with Signor Coccia’s original Music
Medea ditto, with Mayer’s original Music - - -
Masaniello Quadrilles, No. 1,2, & 3 -
Neapolitan Quadrilles and a Waltz -
The Siege of Corinth Quadrilles, with Rossini’s Greek March -
The Sergeant’s Wife Quadrilles, with original Music -
* Tyrolese Quadrilles, — No. 1 2, and 3 -
* The Welch Quadrilles ... - -
NEW BASF MUSIC?
*Boclisa’s“ Souvenir du Tyrol,” a Petit Melange, in which are introduced the
favorite Airs sung by the “ Rainer Family” -
s. d,
4 (1
3 6
'. Vars. to “ Pietosa a-miei lamenti”
Bulkley’s Variations on “ Deck not with Gems”
Variations n n “ Bins Bminets over the Border”
-
3 0
1 6
1 6
Chipp’s Brilliant Variations on “ I’d be a Butterfly’’ -
-
-
3 0
3' 0
_
-
3 0
Variations on “ The Swiss Boy”
_
-
3 0
Labarre's Variations to “ Kathleen O’Moore” -
-
-
3 6
4’ 0
_
.
ea. 3 0
_
0 0
_
5 0
■ and De Tterint’s Duet, Harp and Violin, on ditto.
in ditto -
_
5 0
* Mayer's Instructions for the Harp (new edition)
Variations on “The Banks O’Doon”
:
-
12 0
1 6
1 Blue Bonnets over the Border”, and “ Blink over
Wright’s arrangement of
the Burn,” - - " - ”
Fantasia on “ Erin’s Harp,” and Aiiher’s “ Market Chorus’
Souvenirs des Rainers -
each
PIANO-FORT DUETS.
Burrowes ' Airs in “ Masaniello/ 5 No. 1 to 4
Overture to ditto
HARP A ID PI AM ©-FORTE DUETS.
Attmflod’s arrangement of the « Tyrolian Airs, sung by the Rainers,” with Violin
or Flute, and Violoncello accompaniments Bool: 1 and 2, each
Bochsa’s ditto, ditto, with ditto - Book 1 and 2, each
. — ditto, Turkish Chorus from the “ Siege of Corinth,” with ditto
.. Arrangement of The Market Chorus and Barcarolle from « Masaniello”
Prayer and Triumphal March in ditto -
Trois Airs de Danse in ditto -
Fishermen’s Chorus in ditto -
Bulkley’s Variations to “ I’d be a Butterfly” -----
Desargus’ Fantasia on the Favorite Airs in “ The Siege of Corinth” -
Naderman’sWuet, Op. 34 - - -
Percival’s Divertimento on “ Cherry Ripe’’ - - -
Rics’ Grand Duet for Two Piano-Fortes and Harp, or Harp and Piano-Forte -
Weippert’s Divertimento on “ Giovinetto Cavalier”
each
each
Clifton’s arrangement of Rossini's Overture to the “ Siege of Corinth”
Gaudry’s Variations to “ Non piu andrai” ---
* Bolden's Melodies for Juvenile Performers - - Book 1 and 2,
Holst's arrangement of “Cherry Ripe” -
arrangement of “ The Lancers Quadrilles” - -
Moscheles ’ arrangement of the Tyrolese Airs, sung by the “Rainer Family,”
In 2 Books, each
Pixis’ Arrangement of “ The Swiss Boy” . ... .
Arrangement of “ The Swiss Quadrilles” -
Sykes’ Arrangement of “ The Tyrolese Quadrilles” -
V0gt’s ditto of the “ SwissBoy” ------
Wythe’S ditto of Weber’s Overtures,— “ Preciosa” and “ Frcischiitz” each
’ Willis’s Juvenile Duets, No 1. to - - - ■ each
10
G
8
0
8
G
5
0
G
0
6
0
3
6
3
0
7
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4
0
5
0
10
0
4
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4
0
4
6
3
0
4
0
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4
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10
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4
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Kitchener -40
Weippert - - 4 0
Ditto - - - 4 0
Ditto - -
Musard - -
Miss Bromic-
Spagnoletti -
Duval - -
Weippert - -
Ditto - - -
Ditto - each
Miss Barlow -
Musard - -
J. Goss - -
W eippert, each
Miss Browne
A' 0
FLUTE AND VIOLIN MUSIC.
Nicholson’s arrangement of the Tyrolese Airs sung by the Rainers, with a Piano-
Forte accompaniment by Bochsa - - In 2 Books, each
Sedlatzeh’s ditto, ditto, with a Piano-Forte Accompaniment, taken from Mr.
Moscheles’ Tyrolese Family - - In 3 Books, each
Tulou’s Fantasia, (Flute and Piano-Forte,) on favorite Airs from the “ Siege
of Corinth” - - -
Turtle’s Selection of Flute Beauties, No. 1 to 9, 'containing all the Popular
Songs published by W’illis and Co. - • - eac ^
Weidner's Fantasia on Haydn’s Movement, “ The Surprise” Op. 39 -
Weiss’ “ Le Depart pour les Alpes,” for Flute and Piano-Forte
5 0
G 0
(, 0'
MILITARY MUSIC.
*Twelve popular Songs, arranged for a full Band, by R. Dressier
Twelve Tyrolese Melodies, sung by the Rainer Family, arranged by R. Dressier
Ditto ditto, for three Bugles - ' by ditto
THE ABOVE PUBLICATIONS THUS MARKED, HAVE VIGNETTE TITLE PAGES.
EVERY NEW MUSICAL PUBLICATION OF MERIT.
^tano=d?ort£0, fct. %tt out on i^tre in €06011 or ©ountrs*
AN EXTENSIVE LIBRARY FOR THE CIRCULATION OF MUSIC.
Harp, Guitar, and Violin Strings, Music Paper, Blank Books, Ruled Slates, and the PA TENT BAR FOLIO, for holding Music, Prims,
Newspapers, Pamphlets, tyc. on a new and extremely simple construction, which secures the Contents asjiimly as j
GREAT VARIETY OF THE GERMAN EOLIAN, WHICH PRODUCES THE MOST BEAUTIFUL HARMONY, BY MERELY
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NATIONAL A IKS.
Arranged, for the PI AN 0 -FORTE in 12 Numbers
by TmSMJPH C&GUI-Jr® . '
Price ]?/& each
M?l.
God save the King ... __ English Air.
St Goatherds Shrine ...-Swiss'/
The yellow hair'd Laddie .^l-. Scotch.
The 'Mountain Pine Pyrenese.
Br-un ette ... : German .
Moscow Bells,. Russian .
Grand March 1. .Turkish.
The Tyrolese or Bavarian Air.
II Bon Giovanni Martini.
L’ete Waltz,... French.
We’re a ’ Moddin Scotch .
La Cendri lion — Quadrille.
Rule Britannia English .
Five Henri Quatre _______ French .
Prussian Air. .... _ Gelinek .
Barby s Complaint .... Irish.
Berber Augustine... German
redrai Carina ..//.MoRct
In my Cottage,... --Eng-Iish,
Last Rose of Summer .., Irish
Blinors Son" t**— ^
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hnors Song ffmm Glenarvon) Klose .
utk ar PirF- - — English .
aiional TTaltz. __ Russian .
The Landu _ _ I Portuguese.
Avid lang syne Scotch:
The Maid of Lodi Italian.
Le Garcon volage French.
Lady Owen’s delight . ..Welsh.
Ballinamorna ora Irish
Tink a link Turkic.
■ oulez vans dansez . French
WT/ theruUeij Irish .
f he Black -bird English.
/The Banish or Copenhagen Waltz .
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God preserve the Emperor Francis Haydn .
Since Lave is the plan.... Irish.
Le Connors tu French.
0 Log ie o Buchan ... Scotch.
Robin Adair or (Alern Aroon )\ .... Irish .
Le Retour de Chasse __ v r____ Savoyard.
Zitti Zitti Piano Piano L—.. Italian ;
Rosabella Ki all mark.
Merck Megan Welsh.
Caller Herring . Scotch .
Le Petit Tambour...... French Quad:
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Sul Margine dun rio....l Italian .
Pastorate [from the Storm) Steibelt.
The Flowers of Edinburgh Scotch.
0 whistle andlil come to thee. Irish .
Sicilian Mariners Hymn .
■Miss- Forbe’s Farewell toBamf Scotch.
Brown Thorn .Irish .
The Tank [Bance] ... German.
Kinloch of Kinloch Scotch.
Charlie is my Barling... ])P__
Posthorn Waltz German .
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J he Harmonious Blacksmith.. Handel
G Nmny wiitthou gang wPme... .Scotch. ‘
1 ?e Blue Bells of Scotland D°
Marlbrook Fr " ch .
Ally Broker . i r j s h
kPteen of Prussias Waltz Mozart.
Red Red Rose........ ____ f/ ()tch>
L (l Fa Hi ant Troubadour. French
burnt and Wearily English.
Waters of Ell e ' Fre.uh
Rhe stop waltz —
.. f MP 7.
See the Conquering Hero comes.. Handel
Guaracha Waltz ....... .......Spanish.
Coo luin ... Irish
Air, ( from the Beggar’s Opera) DP.
Fat lal la... .... .1 OVelsb .
Lewie Gordon Scotch
Laura’s Bream ... . English
A Rose Tree in full Bearing. Irish
Poor Mary Anne... _/ .Welsh
Fowler from the Zauberf lote Mozart
, Bi Piacer mi balza-il cor. .... Rossini'
Bath Waltz.. English.
Ryjs Wife-, Scotch.
1 he Lothian Lassie... DP..
Here aw a there awa .... DP.
Donald. _______ j)R
There’s nae luck about the house. DP..
There s canid kail in Aberdeen . _ HR.
My Soldier Love... HP
My a in kind dearie HR.
Aid Robin Grey HR
Kinmures on and awa HP.
Over the water to Charlie... Hp__
Mbs Galan "Welsh.
Le Portrait ... . French.
0 Pescator. ... .Venetian .
1 he young May Moon.. _ Irish .
Pray Goody....' English .
A Highland lad mu love v'as born Scotch
Harv est Home,... English .
(.est L amour, French.
Tfe Recovery ( Bailee ) Eng-lish.
Minuet de la cour French .
Hungarian Wat tz .
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Femme Sensible ^ French .
The Plough Boy .... English.
Grand March in Lodoiska Storace,
Row on my gentle Barque Gondola.
La Campagne de Romance Venetian.
Of a Mo file race was Shenkin .. . _ Welsh .
Buonapartes Gran d March French .
Roslin Castle . }. ... Scotch .
Rob Roy MP Gregor. .... ])?..
La Belle Anglm.se French.
La Ponle ( Quadrille ) DR.
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L a Biondina Ven eti an .
Tyroler Wastel German.
The Rising of the Lark. Welsh,
Ye Banks and Braes :.. Scotch.
My Lodging is on the cold ground . Irish .
Le Petit Chaperon Rouge. French.
Yestris Gavot
Garry owen Irish.
La Daphne [■ Quadrille French.
La Finale B? .... ..HP.
Bi Tanti Palpiti.....^. 91 . 2 :....... Rossini.
Rousseaus Bream ... French .
Bunois the Brave ..HP..
Scots wha hae wi Wallace bled Scotch.
Loch Erroch Side Hp__
My Love she’s but a Lassie yet... _])?__
Will you come to the Bower.. English.
Everleen’s Bower Irish.
The Highland Laddie Scotch.
Le Retour de Ha no ver Hanoverian .
Le Carnival de fie rise ... French
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London Music Warehouse,
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No. 67J, BUCHANAN- STREET (Nearly Opposite the Arcade), GLASGOW,
GRAND, CABINET, SQUARE PIANO-FORTES, and all other MUSICAL INSTRUMENTS, from the most celebrated
Makers, at the lowest Mamifacturers’ Prices; and, from an arrangement made hy J. M‘ Fad yen, Jun. with an eminent Professor
of Music in London, for the purpose of selecting Music and Instruments, those favouring him with their orders for Piano-
Fortes, Harps, Flutes, &c. may rely on being supplied with choice and substantial Instruments, which he warrants to give satis-
faction, or exchanged, if returned free of expense, within Six Months.
Second-Hand Piano-Fortes taken in Exchange, as part Payment for New Ones.
NSW QUADRILLES, GALLOPADES, WALTZE^ S &.c.
As Danced at Almack's and the Nobility s Balls, London, and Performed at the Assemblies by Cunningham and his Band.
Just Published, “ Forget-me-not being a Fourth Set of Quadrilles, composed and arranged for the Piano-Forte, hy J. M‘Fadyen,
Jun. containing the celebrated march in imitation of A Band at a Distance — “ La Rose d’ Amour” — Scottish Melody (on which is
founded the favourite song of “ The Breast Knots”) — French Military Movement— And the favourite Finale, “ When a little
farm we keep.” — Price 3s.
HIT Tins Set of Quadrilles has been performed with the greatest success at all Fashionable Parties, and given universal pleasure, owing to the lively and
elegant Melodies introduced, which are so well adapted to the flowing style of the Quadrille. They are arranged in a simple yet brilliant manner.
“ Third Set of Quadrilles." Composed and arranged for the Piano-Forte, hy J. M-'Fadyen, Jun. containing Le Plaisir de la
Dance — Quadrille a la Sontag — Venetian Quadrille — .Quadrille a la Stockhausen — and the celebrated Canadian Finale. — Price'Qs.
“ Quadrilles a la Militaire" Composed in a familiar and brilliant style for the Piano-Forte, hy J. M'Fadyen, Jun. containing
Quadrille a la Tyrolean— La Divine — •« Dame Durden” — Quadrille a la Militaire — and the Neva Boat Song. — Price 3 s.
The celebrity this Set has obtained at the Assemblies and Private. Parties of the Nobility and Gentry (having been often requested to be performed
several times during the evening), and also having received the unqualified approbation of the most eminent Professors of Music, being adopted by
them as Lessons to their Pupils, is a sufficient warranty of their excellence. *
“ Les Parisiennes Quadrilles." Composed and dedicated to the Directors of the Baronial Assemblies, hy James Thomson,
Teacher of Dancing. — Price 2s. 6d.
Now Publishing, Elegantly Printed in Gold, on Tinted Cards, a Series of Favourite Waltzes, Price 6d. each — No. 1. Weber’s Last
Waltz ( found under his pillow after his death ) — 2. Matilda Waltz — 3. Maltese Waltz (J. MPadyen, Jun.) — 4. Grand Waltz
(J- R. MParlarte) — 5. Valse a la Sontag (Hummed) — 6. Military Waltz (Beethoven) — 7. Coquette Waltz (J. M‘Fadyen, Jun.) —
8. Greek Waltz (Prince Ypsilanti) — 9. Valse a la Stockhausen (J. M’Fadyen, Jun.).
IfSjr The above Nine Waltzes, Printed with Coloured Ink, on Paper and Gilt Edges, form Book First of a Series . — Price 3s. (id.
Gallopades, Printed on Cards, (id. each — No. 1. Gallopade Hongrois (Henri Blanchard), being the Original Music composed for
that Dance — 2. Gallopade Brillante (J. Thomson) — 3. Swiss Gallopade (J. MFadyen, Jun.) — 4. Quadrille — 5. Swiss Air (Nicol).
Ig^p The above Gallopades & Airs, Printed on Paper (same style as the Waltzes), form Book First of Gallopades, Price 2s. These Elegant Publications
have met with the greatest patronage from the lovers of that fascinating style of Music, and have made their way into almost every Musical circle.
Shortly 'will be Published, on Cards, to match with the above Series of Waltzes and Gallopades, a Favourite Set of Quadrilles,
entitled, “ Le Petit Bijou Quadrilles." — Price 6c?. each, or the Set, 2s. Gd.
Haris Celebrated Royal Gallopades and Waltzes, Two Sets. — Price 3s. each.
A Grand Divertimento for the Piano-Forte. Composed hy J. R. M‘Farlane. — Price 2s.
IjggT This Divertimento is composed in a brilliant and elegant manner, well calculated for Piano-Forte Players, who have made some progress on that
Instrument, and must please both in practice and performance.
A Large and Select Stock of Piano-Forte, Harp, Guitar, and Flute Music, constantly on hand, comprising the Favourite Works
of the following celebrated Masters: viz. dementi, Cramer, Kalkbrener, Mosclieles, Burr owes, Herz, Griffin, Holst, Valentine, Kail-
mark, Grosse, Devereaux, Bochsa, Steel, Horn, Naderman, Nicholson, Drouett, Wiess, Nicol, &c.
Elementary Works, for the Voice, Piano-Forte, Harp, Guitar, Violin, Flute, &c. hy Masters of acknowledged eminence.
Every New Musical Publication of Merit received as soon as published.
Improved Portfolios for holding Music, which secures it as firmly as if bound, without injuring it in the least, at various
Prices, from 3s. 6c?. upwards.
Ruled Manuscript Music Books, Slates, and Paper.
Newly Imported Roman Harp, Guitar, and Violin Strings. Silvered Strings for ditto.
Spanish Guitars, with and without the Patent Screw Head, at -va, ious Prices, from 30s. upwards.
OT The ease with which a performer on the Piano-Forte may acquire
this elegant Instrument a universal favourite in all Musical cirr 1
•dir lent execution to play an Accompaniment to the Voice, &c. has made
Nicholson s, Rudall’s, and Metzler’s Flutes, with all the late Improvements, selected hy an eminent Professor of that Instrument
m London. 1 J
Music Bound to any Pattern, from the plainest to the most elegant style of Binding.
Experienced Teachers of Music and Tuners of celebrity recommended.
mo
JUT A Variety of Second-Hand Piano -Fortes for Sale or Hire, on very Moderate Terms.
London Music Warehouse, John M^Fadyen, Jun- No. ©7|, B uchanan- Street, Glasgow.
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HEDDERW1CK AND SON, PRINTERS.
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Ma«‘lzel’s Metronomt
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F VE Ni N G AMUSEMENTS;
BEING A SELECTION
oi the most iavorite
QUADRILLE S,GAL LOPADES ,WALTZE S,
COUNTRY DANCES, REELS *c
Arranged in a fannlar 1 style
FOR TEE
A.THOIS OHs
Price
GLASGOW
PiVbli sired at the Aii ill or s Mnsical Repository
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-Nearly opposite fir Arcade
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. Eor more Country dance 'tunes, sec pages 2. 3.10. n.and
13 •
1
10
ITALIAN MONFRINA.
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M rS PARKERS STRATHSPEY.
THE BELOLXGER.
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The, Author 'of the tMlo tying Sheets. new humbly submitted hr him to the Public, thud's it
lec-ssnij to mention dhat several of7us Strathspeys & Peels, have ocbastonaRv beenPibh'shed by most
tie o ectors of SeottishAfusicavithout 7iis Permission; of hits bail ever, be does not much Complain ,
es P ec ™ J ,a * h ( jd not tilt now, any intention to Ptblish diem himself.- Pis only Complaint is t heir not
mentionmg his ATame along with those lieets of his Composition they Pihlished, which for obvious reasons.
‘ <J< f ome tiefftected ’ but in particular, their changing the original names given 7>v turn, to other names,
according to their own fancy,- and this being notqaieradv hnown, theAuthor has thought it necessary to
appnxe thePublic of it, assuring than ,. that this' Tlbih d' entirely $s own Composition A cannot be claimed
by any other Person fVkatever . —
V iddit/n ,1 tor the Author. ,t- to/d by Ate.xfPobertson at his M/sie Saloon 47 D-inccs Street Sby the Misie fetters in
J^ontt c Hi 7)i/7 7 'n, z // 'c/y>oo7 < (r7ast/ow> „ 77)t>t yZeen ,//ti p/viesd cfo »
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Sti
My Lady Marchioness,
The following- Melodies, Strathspeys, Reels &c, which I have
the honor humbly to submit to the notice of your Ladyship and the Public, were
not originally intended for publication; they were composed in moments of* lei.:
sure by way of amusement and relaxation from my usual avocations .
Having- little claim to Professional knowledge, T can hardly flatter myself
that they will he deemed worthy of a Patronage so distinguished as that of
your Ladyship, whose correct judgement in Music, can only be excelled hy
your refined and exquisite taste: But, as many of these tunes have already
been honored by your Ladyship’s approbation, which I am proud to acknowledge,
and being- ambitious to comply with your Ladyship's repeated wishes, as well as
that of His Grace the Duke of Gordon, I have taken the liberty of submit _
ting them to the Public under your Ladyship’s auspices, trusting you will ac-
cept them as the only testimony of respect I have in my power to offer to
MARSHALL
/ JT D K X
_ - 44
_ 33
_ _ _ 38
- - 8
_ _ _ _ 10
28
. ' _ 13
Aberlotrr’s Squeeze- - -
Achorachan’s Strathspey -
Arthur Seat - - - - -
Ballindalloch Castle - - -
Balvenie Castle - . - - -
Belhelvie House- - - -
Burnside oT Tynet - - -
Capt Marshall’s Fancy ------ 14
Capt Cameron’s. Volunteers March - - 23
Cap! Will 1 ? M'. Lend - - - - -
Chapel Keithack - - - - - - - &
Collar Green - - -- -- -- ^2
Craigcllachie Bridge _ -----30
< 4 ,
Croughly ,
Cullen House - - ----- -^ 8
Dandaleitli _ - -- -- - - -
Doctor Laing -------"^Y
Dr.umiri's Strathspey - - - - -- 36
Drumbain’s Reel - — - - - - -
Easter Elcliies — — — — — — — — 8
----- 28
_ - - _ - 43
__--- 18
- _ _ 44
- _ 40
Miss Cameron, —.Banff - -
Miss Angus ------
Miss Admiral Gordon - - -
Miss Cameron, — Balvenie
Miss Cruickshank - -
Miss Donaldson _ - - -
Miss Eup hernia Lowe - .
Forglen House _ — — .— - -
Glentroniie - - -
Glenfiddich _ - - - - - -
Gordon Castle - ------
Grant Lodge- - _ - - - -
Hatton of Buchromb _ ----- 23
_ _ - 3
- 8
- _ _ 59
- - - 2
- - - - 2
_ - - 43
34
7
_ _ 33
Huntly Lodge - - — —
I nver esjiie - —
Keithmore _ _ - - —
Kinrara - — — — —
Kinrara Strathspey -
Kininvie House — - — -
Knockando Hotise •- -
Lady Ann Wharton Duff
Lady Charlotte Gordon -
Lady Georgina Gordon -
Lady Georgina Russell -
Lady Jane Neville- - -
Lady Jane Taylor- - -
Lady Jemima Cornwallis- - - - - 20
Lady Isabella Wcniyss - - -
Lady Louisa Cornwallis -
Lady Louisa Russell -
Lady M. Palmei* - - - -
Lady M. Gordon - - - -
Lady Niven Luinsden -
Lady Susan Gordon — —
Lament for Sir Harry Lumsden - - 6°
Leith Hall- - - - - - - -
Lochryhoch _ - - - - - -38
Lord Alext Gordon - - — - - — 1 ^
Lord A. Russell ----- - - 39
Lowes Hornpipe ------- -1®
Madam Fredrick - - - - - - — 13
Major L. Stewart ------- 32
Marnncli’s Strathspey- ----- 43
Mill of Laggan- ------- 32
Miss Abercrombie - - - 23
Miss Ann Camerons Jig - - - - - &
- 43
- _ - 2
- - _ 40
_ - _ 43
. - _ 32
_ _ 24
_ - - 3
. - _ 40
- - 34
. _ _ 22
_ _ 10
Miss Forsyth _ -------
Miss G. Gordon — — — — — — —
Miss Gordon, -Fochabers .— - — -
Miss Grants Jig - ------
Miss Grant’s Reel - - - - - -
Miss Grant’s Strathspey - - - -
Miss Hannah --------
Miss Isabella M? Therson Grant
Miss Jane Grant —————— —
Miss Jane M*: Innes - - - - -
Miss Jane Stewart - - - - - -
Miss Jane Yo.ung -- - — - - -
Miss K. Stewart Forbes- - - -
Miss M? Dowall Grant - - - -
Miss M? Innes -------
Miss Malcolm - - - - - - - .
Miss M? Pherson Grant - - - -
Miss M? rherson, — Cluny - - -
Miss Robertson -------
Miss Ross- - -- -- -- -
Miss Stewart’s Jig - _ - - - -
Miss Stewart’s Strathspey - - -
Miss Stronacli - - ------
Miss Susan Gordon, —Fochabers _
Miss Taylor- - - - - - - -
Miss Watt -------- -
Miss Watt’s Jig. -------
Miss Wilhelmina MI Dowall Grant
Miss Wharton Duff — — — - -
Miss Wharton Dufi’s Jig - - -
Miss Young- - - - - - - -
Ml A. Laing- -------
Mi E. Simpson _ ------
Mi E . Wagstaff _ - - — — — —
MI Gordon of Hall -head _
Ml Hoy- - -- -- -- -
MI John Angus - India - - - -
MI John Stewart,— Bombay-
MI Ml Donald ------
MI Shearer of Buchromb - - -
MI S Anderson ------
M r . s Brown - -- -- -- -
Mr Capt M': Barnet - - - -
M r . s Capt Skene _ - - - - -
M’. s Col: Forbes - - - ~
M r . s Col: Gordon _ - - - - -
M r . s Forbes of Boharm
MI S Forbes -------
M r . s Forsyth --------
M r . s Fraser - -- -- - - -
M r . s George Robertson- - - -
M! s Glennie ------ -
. 13
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_ _ 33
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- _ 43
_ _ 23
_ _ 17
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- - 24
M r . s Gordon — — ; — > — — — — — - * J 3
M r . s Grant - -- -- - - -- -34
M r . s Hamilton of Wlshaw— - — - - 13
M r . s Henry Lumsden _ _ -
M r ? Hugh Lumsden _ - -
M r . s J. Bishop - -
MI S James M? Innes - - -
M’. s John Stewart - - -
M r . s L. Stewart— — — — —
M r . s DI l.aing - - - - -
M r . s Major L. Stewart —
M r . s Major Mitchell - - -
M r . s M? Dowall Grant _
M r . s M^ Pherson, — Gibston - - - - 28
M r . s Shearer of Buchromb - - - -23
MI S Stewart - - -- -- --
M r . s Rose - - -- -- -- - 3 #
M r . s Young- ___ _-- --^ 8
Ml Marshall’s Compliments to Niel Giw- 21
Newfield Cottage - - - - - - - - 19
Sir Walter Scott Bari - - - - - - 13
The Banks of Spey _ - ----48
The Bog of Gight- ----- 20
The Bridge of Spey- - - - - - 33
The Buck of the Cabrach - - _ _ 33
The De’il amang the Mantua Makers - 13
The Duke of Gordon’s Strathspey- -31
The Duke. of Gordon’s Birth Day- -38
The Dutchess of Manchester’s^ ^
farewell to the HigluandsJ
The Dutchess of Bedford
. 48
_ 3
_ 31
_ 44
- 3
- 3
_ 47
The Dutchess of Richmond _
The Dutchess of Roxburghe —
The Earl of Fife- — — — —
The Fiddichside Lasses _ _ -
The Fochabers Rant - - - -
The Forest of Ga-ick _ - -
The House of Acliluncart - —
- 37 The House of Candacraig -
_ 33
- 47
- 40
_ 31
- 37
_ 34
_ 31
_ 23
- 21
- 30
- 23
_ 38
_ 43
_ 17
- - 7
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- 43
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The House of Cairnfield— -
The House of Cluny - - -
The House of New - - -
The House of Letterfoune
The House of Park
_ 37
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32
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The Marchioness of Huntlys -Strathspey _1
The Marchioness of Hunt l}’s Jig- 1
The Marchioness of Huntlys Favorite- 2 7
The Marchioness of Huntly’s. Jig 27
The Marchioness of Cornwallis— — — * ^
The Marchioness of Tweed dale _ - 23
The Marquis of Huntlys' Stratlispey H
The Marquis or Huntly’s. Favorite 3
The Marquis of Hnntly’s Farewell - 14
The Marquis of Bowmont _ - - - 1
The Marquis of Tweeddale- - - - .23
The Mortlach Reel - - - - - - 33
The Morayshire Farmers Club _ _ -.33
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LADY GEO RGIJYA GORDONS STRATHSPEY. 49
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K E 1 7*H JVI O B E y A ST* B A? H S P EY'.
A CATALOGUE
OF
¥ocal anil instrumental iWuSt'e,
PUBLISHED BY
ALEXANDER ROBERTSON,
47. PRINCE’S-STREET, EDINBURGH.
Utonttos, &u*s font*) Variations, ku
A Selection from the Works of Haydn,
Mozart, and Beethoven, by William
Clarke, No. 1-2.
Air, with Variations, - - -
Air, Var. - - - -
Air, Var. in 3 sharps,
Air, No. 1. with eight Var.
Auld Langsyne, Var.
Auld Wife ayont the fire, Var. and Rondo.
Austrian Retreat, Var.
Bonniest Lass in a’ the Warld, Rondo,
Braw Lads o’ Galla Water, and We’ll put
the Sheephead in the Pat, Rondos,
Calder Fair, Rondo, -
Cease your Funning, and White Snodden,
Rondos, -
Coolun, Var. -
Crown Prince of Sweden’s Rondo,
Deil tak the Wars, Var.
Deil’s awa wi’ the Exciseman, Rondo,
Deuks dang o’er my Daddie, Rondo,
Dying Bard, and Kitty Tyrell, Rondos,
Erin go Bragh, Var.
Fall of Paris, -
Gallant Weaver, Rondo,
Girl I left behind me, Var.
Grand Military Divertimento,
Harmonious Blacksmith, Var.
Hibernia, a Rondo,
Highland Laddie, Var. - -
Hope told a flattering tale, Var.
Humours of Glen, Var.
Indian Queen, Var. - G.
Lady Madelina Sinclair, Var.
Lady Loudon’s Strathspey, Var.
Largo’s Fairy Dance, Var.
Lass, if I come near you, Rondo,
s.
d.
s.
Linley’s Air and Rondo,
A. Robertson 1
Loch Erroch Side, Var.
-
1
-
3
0
Lord Balgonie, and Jenny dang the Weaver,
Amateur
1
6
Rondos, -
Clarke
1
Wanhal
I
. 6
Melange Sonata, with Scotch Airs,
Schetky
3
Mozart
3
0
Medley Rondo, -
Stewart
1
Gelinek
1
6
Mozart’s celebrated Waltz, Var.
Gelinek
3
Ross
1
6
My only Jo and Dearie, and Jenny’s
Baw-
Mather
2
6
bee, Rondos,
Clarke
1
. ... • ,
1
0
O’er the hills and far awa, Var.
Ross
1
Butler
1
6
Of noble race was Shenkin, Var.
-
1
Owen, Var. -
Clarke
1
Clarke
1
6
O where will bonny Ann lie, Var.
Ross
1
A. Robertson 2
0
O whistle and I’ll come to you my
Lad,
Var. -
Ditto
1
Clarke
1
6
Paddy Whack, Rondo,
Mather
2
1
6
Polonaise Militaire,
Maeser
2
1
0
Prince Charlie’s Welcome, and Johnny
Ross
1
6
Cope, Var.
- -
1
Clarke
1
6
Pyrenese Melody,
Gelinek
1
Ditto
1
6
Quanto pisi Bella, Var.
Beethoven
2
Ditto
1
6
Ratlin Roarin Willie, Var.
Ross
1
Ross
i
6
Rising of the Lark, Var.
-
1
tm
1
0
Rock and a Wee Pickle Tow,
Ross
1
Butler
1
0
Rondo and Polonaise,
Hindmarsh
3
Ross
1
6
Scots wha hae wi’ Wallace bled, Vai\
Ross
1
Leo
2
0
See the conquering Hero comes, Var.
Beethoven
3
Handel
1
0
Sir George Clerk, Var.
A. Robertson 2
A. Robertson 1
0
Sleepy Body, Rock and a Wee Pickle
M i Intosh
1
6
Tow, -
John Thomson
1
Beethoven
2
0
Soldier’s Return, Var.
Ross
1
Ross
1
6
Tak your auld cloak about ye, and Willie
Thomson
1
6
was a wanton wag, Rondos,
Clarke
1
Watlen
1
6
Tink a Tink, Rondo,
Butler
1
Cooper
1
6
Two favourite Scots tunes as Rondos,
1
Schetky
1
6
Tyrolesian Air, Var.
Gelinek
3
Butler
1
6
ct.
6
6
6
6
6
0
6
6
0
0
6
6
6
0
0
6
6
6
0
0
0
6
0
6
0
6
6
6
0
0
&onsa.
Absence, a Canzonet, - G- F. Graham, Esq.
Auld Langsyne, (as sung by Mr Sinclair)
Auld Robin Gray, (as sung by Miss Stephens)
Allan-a-Dale, - - G. F. Graham, Esq.
A Weary Lot is thine, Fair Maid,
Baloo, my Wee Thing, -
Ballendine Braes, - - - Clarke
Blue Bells of Scotland, - -
Bonny House o’ Airly, (arranged by A. Robertson)
Boys of Kilkenny, -
Braes o’ Gleniffer, - - - Foss
By a Murmuring Brook, - Sir J. Stevenson
Clan Alpine’s honoured Line, - - Clarke
Connel and Flora, - - - ~
s.
1
1
1
1
1
I
1
1
1
1
1
1
1
I
Cuckoo, a Duett, - -
Dearest Maid, I adore thee, (as sung by Mr Sinclair
in the Opera of Rob Roy) - W. Slape
Deeper and deeper still, and Waft her Angels,
Deil tak the Wars, < - - Foss
Dinna think, bonnie Lassie, - A. Robertson
Donald and Prince Charlie, : - Finlayson
Dread was the Time, - - Mather
Erin go Bragh, - - Campbell
Fairest Flower of Old England, Adieu ! Corri
Flowers of the Forest, - -
Fly, Soft Ideas, (Artaxerxes) - Dr Ame
Gallant Troubadour, - - A. Robertson
Gin ye will come, Dawty, (as sung by Mr Sinclair)
s.
1
1
1
1
1
1
1
1
1
1
2
1
1
d.
0
6
0
0
0
0
0
0
6
0
6
6
6
[ % ]
Had I a Heart for Falsehood fram’d, - Braham
Hawthorn,
Here’s to the Year that’s awa,
Holy, Holy, as sung by Mrs Salmon.
Hope that soothes the absent Lover, G.F. Graham,Esq,
John Anderson, my Jo,
Laddie, O leave me,
Land o’ the Leal,
Lass of Isla,
Let us taste the sparkling Wine,
Lizzy Lindsay,
A> Robertson
Burns
A. Robertson
Burns
R. A. Smith,
A. Robertson
Handel
Ross
G. E. Linley, Esq.
Gale
Logan Water,
Lord, remember David,
Louisa in Lochaber,
Macgregor O Ruara,
Maid of Windermere,
Maid of Elderslie,
Mansion of Love,
Medora’s Song, - G. F. Graham, Esq.
Mermaid’s Song, (Canzonet) - Haydn
Mild beam’d the Sun on the grey Towers of Roslin,
Mountain Flower, - - - R. A.
Musing on the Roaring Ocean,
My native Land, a long good-night, G. E. Linley, Esq.
My Native Vale, - - Ross
My Mother bids me bind my Hair, - Haydn
Now Spring has clad,
O dinna ask me gin I lo’e ye, - A. RobeHson
O hey, Johnny Lad, - Ditto
O, Lady Dear, - Mazzoni
O, Mary, while that soft blue 'Eye, A. Robertson
O my Love is like the red red Rose, (as sung by Mr
Sinclair) - J. Dexmr
O Peggy is my Darling, (as sung by Mr Sinclair)
O Pescator, (Venetian Ballad)
O this is no my ain House,
Our Blue Bonnets, - - A. Robertson
O yes, our Love, - - Dragonetti
Pray, Goody, (as sung by Mr Sinclair)
Robin Adair, -
Roslin Castle,
Royal. Charlie, - J. McPherson
Saw ye my wee Thing, (as sung by Braham),
A. Robertson
Scots wha hae wi’ Wallace bled (as sung by Braham)
Soldier rest, thy Warfare’s o’er,
Soldier’s Dream, - - Ross
Smiling Morn, the Breathing Spi’ing,
Sprig of Shillelah,
s.
d .
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Summer Eve is gone and past, G. F. Graham, Esq.
Tak your Auld Cloak about ye,
The Psalmist’s Sure Guide, -
Thoit art gan6 awa’, -N
Though Right be aft put down by Strength, Mather
Thus mighty Eastern Kings,
Together let us range the Fields, (Duett)
’Twas merry in the Hall,
Up in the Morning early,
Vedrai Garin o, - --
We’ll row up the Feety o’t,
What ails tBis Heart d r inine,
What’s Life without Friendship,
Where shall the Lover rest,
Windsor Psalm Tune, and Christmas Flymn,
Ye Mai’iners of England,
Young Lochinvar,
Young Dunois the Brave,
J. Dewar
Mozart
Ross
Clarice
Ross
Clarice
A. Robertson
d.
6
0
8
0
0
0
0
0
0
6
0
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THE FOLLOWING SCOTCH SONGS, TWO ON EACH SHEET,
PRICE SiXPENCE,
A Coggie o’.AIe— and Green grow the Rashes.
A Rose-Bud — and Forget me not.
Auld lang Syne — and Days o’ lang syne.
Bide ye yet • — and Fare thee w'ell.
Birks of Invermay — and Blythe was she.
Day returns— and Jenny Nettles.
Dirge on Burns— and Jenny’s Bawbee.
Fareweel to Ayrshire — and My bonnie Mary.
Gude forgie me for lien — and O gin my Love.
Here’s a Health — and Miss Forbes’s Farewell.
Lass gin ye lo’e me — and Shepherds I ha’e lost my Love.
Let Frenchmen threat — and Sae will we yet.
Lewis Gordon — and Riggs o’ Barley
My ain kind Dearie — and O Willie brew’d.
My Tocher’s the Jewel — and Blythe ha’e I been on yon
Hill.
O Bonnie was yon Rosy Brier — and Dinna Think, Bonnie
Lassie.
O Poortith Cauld — and Highland Mary.
Owen — and Ca the Ewes.
The Posie — and Lover’s Request.
The Streamlet — and O tell me the way for to woo.
There’s nae Luck — and Daintie Davy.
Tibbie, I ha’e seen the Day — and O let me in this ae Night.
Wounded Hussar — and Ettrick Banks.
Ye Banks and Braes — and My Mary, Dear.
&ttmatt's Favtatttms on tfje follotoius SUrs*
Colomba mia verite qua,
Fin ch’ han dal vino,
Gente e’ qui L’uccellatore,
Gia fan ritorno,
Le Petit Matelot,
L’Enlevement du Serail,
s. d.
2 0
2 0
2 0
2 0
2 0
2 .0
Minuet in Don Giovanni,
Non piu andrai,
Oh Cara Armonia, .
Suona dindin Suona,
The Manly Heart,
The Nymph’s Dance,
s. d.
2 0
2 0
2 0
2
2
2
^tortures, an & for Paito dfortr.
A Favourite Medley Overture,
Beethoven’s celebrated Symphony in D, arranged for
two Piano Fortes by A. Robertson, No. 1. 6s. 2. 5s.
Beethoven’s Quintett in E flat for two Piano Fortes,
The first Piano Forte part may be played with the
original accompaniment.
Haydn’s Roxalana Movement,
Highland Medley Overture, - A. Robertson
Himmel’s Grand Sonata, arranged for two Piano
Fortes, -
La Clemenza di tito, - - - Mozart
S.
1
11
6
2
2
d.
6
0
0
0
6
Q
0
Medley Overture, - Butler
Mozart’s Symphony in E flat, arranged as a Duett for
two performers on one Piano Forte,
Overture to Anacreon, - Cherubini
Overture to Alladin, - - W. Penson
Overture to II Tancredi, - - Rossini
Overture as performed at the Edinburgh Musical
Festival, - - G. F. Graham, Esq.
Smith’s Easy Duetts for two performers on one Piano
Forte, - - - -
s.
1
5
3
2
2
d.
6
0
0
0
6
5 0
mu, Country Batten <£tw*rilles, »alt^s, kc.
Airs and Melodies peculiar to the Highlands and Isles
of Scotland, acquired from the years 1715 to 1745 ;
arranged for the Piano Forte, Plarp, Violin, Violon-
cello, &c. Dedicated to the Highland Society of
Scotland, by whom the Work has been inspected
and recommended, by Captain Simon Fraser 21 0
Beethoven’s celebrated Waltzes, as performed by the
Band of the Theatre Royal, Edinburgh, Set First
arranged by W. Penson, - - - 16
Second ditto by ditto, - _ 1 6
Third set of Beethoven’s Waltzes, arranged by James
Dewar, - - - i g
Captain Fletcher’s Favourite, with other tunes, Gow 1 0
Collection of the Ancient Martial Music of Caledonia,
called the “ Piobaii’eacli,” as performed on the
Great Highland Bagpipe; now also adapted to the
Piano Forte, Violin, and Violoncello, with a few old
Highland Lilts, arranged for the Piano Forte, Vio-
lin, &c. to which is annexed a Bagpipe Tutor, by
Donald Macdo?iald 21 0
Countess of Dalhousie and Lady C. Durham, Goto 1 0
Earl of Moira’s Welcome, - _ Ditto 1 0
First Set of Mozart’s Celebrated Waltzes, as per-
formed by the Band of the Theatre Royal, Edin-
burgh, - - arranged by W. Penson 1 6
Second Set of ditto ditto, by Ditto 1 6
Third Set of ditto ditto, by Ditto, 1 6
Fourth Set of ditto ditto, by Ditto 1 6
Fifth Set of ditto ditto, by Ditto 1 6
Sixth Set of ditto ditto, by A. Robertson 1 6
Seventh Set of ditto ditto, by Ditto 1 6
Frank Walker, with other tunes, - Gow 1 0
Gow’s Third Collection, of Strathspeys, Reels, &c. de-
dicated to the Marchioness of Tweeddale,"-- - 7 6
Gow’s New Book of Original Slow Airs and Dances,
dedicated to the Marchioness of Queen sherry, - 8 0
s. d.
Plarmonica Waltz, arranged with an accompaniment
for Keyed Harmonica, by W. Penson 1 6
Lady Bruce, with other tunes, - - Gow 1 0
Lady Lucy Ramsay, with ditto, - Ditto 1 0
Lady M‘Kenzie of Coul, with ditto, - Ditto 1 0
Largos Fairy Dance, with ditto, - Ditto 1 0
Leipsic Waltz, - - i o
Mad Boy, with other tunes, - - Gow 1 0
Marquis of Cornwallis, with ditto, - - - 1 0
Marquis of Queensberry’s Medley, with ditto, Gow 1 0
Master F. Sitwell’s, with ditto, - - Ditto 1 6
Miss Dumbreck, with ditto, - - 16
Miss Johnston’s of Hutton-hall, with ditto, 1 6
Morgiana in Ireland, with ditto, - Gow 1 0
Murray’s new set of Quadrilles, dedicated to the
Countess of Wemyss, by A. Robertson, - 3 0
Neil Gow’s Recovery, with ditto, - Gow 1 0
P eas and Beans, and Rock Partens, with ditto. Ditto 1 0
Roderick Dhu, with ditto, - - Simpson 1 0
Royal Fuzileers’ Quadrilles, first set, - 3 0
Royal Fuzileers’ Quadrilles, second ditto, - • 3 0
Scotish Melodies, composed by Mr Marshall of Keith-
more, containing nearly 200 Slow Airs, Strathspeys,
Reels, & c. arranged for the Piano Forte, Violin,
Violoncello, &c. dedicated to the Marchioness of
Huntly, - - - - 15 0
A Supplement to the above is in the press, and will speedily
be published.
Six Waltzes or Divertimentos, by Anderson 5 0
Smart’s set of Favourite Quadrilles, - 16
Tekeli, with other tunes, - - Gow 1 0
The King shall enjoy his own again, with ditto, Ditto 1 6
Three Waltzes, by G. White 1 0
Turnbull’s Quadrilles, - - - 1 6
Waterloo Medley, with other tunes, - Gow 1 0
Emperor of Russia’s Grand March and Polonaise,
Lord Wellington’s Grand March,
March and Quiok Step, - -
iHardjes.
s. d.
1 6
1 6
1 0
March of the Russian Troops into Polotsk,
The 42d Regiment’s Return from Egypt,
Ditto, Quick Step, and Turkish Quick Step,
s. d.
1 6
1 0
0 6
dflute, Ftolui, kt*
s. d.
Caledonian Museum, a selection of 100 favourite
Scotch Airs, adapted for Flute, Violin, or Flageolet,
Book First - - - 3 0
Schwindl’s Duetts for two Violins, - - 4 0
s. d.
Select Melodies of Scotland, arranged for the Flute
by A. Robertson, Nos. 1. to 6. each - - so
To be continued.
Alexander Robertson has always for Sale an extensive assortment of Elegant and Fine-Toned
Horizontal-Grand, Cabinet^ Cottage-Cabinet, and Square Piano Fortes, carefully selected by himself
from the Manufactories of Messrs Broadwood, dementi, Tomkison, and other Eminent London
Makers. His selection of Harps, Spanish Guitars, Violins, Flutes, Flageolets, &c. &c. is
uniformly both Elegant and Extensive ; and the New and Fashionable Music will always be had at
his Saloon immediately after its Publication in Lohdon.
Instruments Exchanged, Lent out oil Hire, Tuned, and Repaired.
witims of*
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foot can nev_er mair Bend to earth the gow_an fair, down by
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Now far remov’d from every care, ’boon yon burn side,
Thou bloom’st my love, an angel fair, ’boon yon burn side,
And if angels pity know,
Sure the tear for me will flow,
Who must linger here below, down by yon burn side.
N? 1.
.Tntiri Rim.
2
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O how can ye gang, las_sie, how can ye gang, O
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how can ye gang sae to grieve me,
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art ve hae bro_ken my heart. For I nev_er, nev„er dreamt ye wad
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smile to de_ceive me.
Or that guile could ev_er find in that
Yet, Mary! all faithless and false as thou art.
Thy spell-binding glances, believe me,
So closely are entwined round this fond foolish heart,
That death alone of them can bereave me .
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iTumw. si MsMuism xXOia&itrwl lusiinraae’xii "Vykr©ih'ii>'0
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Air Torlli n lisme.
3
V
Ance mair, Heaven be praised! round my ain heartsome ingle,
Wi’ the friends o’ my youth, I cordially mingle;
Nae force now upon me, to seem wae or glad;
I may laugh when I’m merry, and sigh when Im sad.
My ain fireside, my ain fireside,
O sweet is the blink o’ my ain fireside.
Nae falsehood to dread, nae malice to fear,
But truth to delight me, and kindness to cheer;
O’ a’ roads to pleasure that ever were tried,
There’s nane half sae sure as anes ain fireside.
My ain fireside, my ain fireside,
O sweet is the blink o’ my ain fireside.
M r . s Hamilton.
N° 3 .
£T
SELECT SGOTISH SONGS
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Lomirs mu
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■ IM>B* JItMMIE at Ms Mmsa® fertMiaemt ^atieiMMue
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wild flowers bloom’d sae bon_ni_lie, When sweetly sung the mellow thrush, An’
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That ye sae soon wad lightlie me.
I pu’d the rose sae sweet an’ fine
The fairest flower on a’ the lea;
Tho’ fresh an’ fair, it wither’d syne.
E’en like the love ye promis’d me,
Ye said ye lo’ed but me alane,
Nor cou’d ye keep your fancy free,
An’ gin that I wad be your ain.
The chains o’ love wad lightsome be.
O, gin ye had sincerely lov’d!
They lightsome aye had been to me;
But sin’ that ye hae faithless prov’d,
I’ll strive to keep my heart a wee
Robt Allan.
N? 4.
5.
SONGS
JEaniL SfehMalL
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(IhYtitbm^b.
■ ROB* FTTlfOMIE ai Ms Musi© M§tenaa«4 Wardtususc
S3 f^Mces SteRf] -
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§xow hy
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“My lnve’s in Ger
,ma_ny; Send him hame, send him hame, Oh, my
liive’s in Ger-ina-ny, Fight
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for roy-al-ty; He may ne’er his Jean-ie see;
Send him
3
He’s brave as brave can b e ,
Send him hame, send him hame
He’s brave as brave can be,
Send him hame .
He’s brave as brave can be,
He wad rather fa’ than flee;
But his life is dear to me,
Send him hame, send him hame
Oh] his life is dear to me,
Send him hame.
‘Your luve ne’er learnt to flee,
Bonnie dame, winsome ^dame;
Your luve ne’er learnt to flee.
Winsome dame .
Your luve ne’er learnt to flee.
But lie fell in Germany,
Fighting brave for loyalty,
Mournfu’ dame, bonnie dame,
Fighting brave for loyalty,
Mournfu’ dame.
Our faes are ten to three,
Send him hame , send him hame
Our faes are ten to three,
Send him hame .
Our faes are ten to three ,
He maun either fa’, or flee.
In the cause o’ loyalty,
Send him hame, send him hame;
In the cause o’ loyalty,
Send him hame.
“He’ll ne’er come owre the sea,
Willie’s slain, Willie’s slain
He’ll ne’er come owre the sea,
Willie’s gane ]
He’ll ne’er come owre the sea,
To his luve and ain countrip..
This warld’s nae mair for me,
Willie’s gane, Willie’s gane!
This warld’s nae mair for me,
Millie’s slain!”
N° jr.
Vat, •
Third A'd/hsi/t
I'l D I X 13 L'K C. ([.
Published l>v Mortimer Aiidcvs'ou & (’? (Agents for Slod m*t & Son I.ondoii)
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rose is thy cheek 0 bon.uie Ma-ry Hay I will ^heeyet.
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Bon-nie Ma-ry Hay will you ga ng ^
Bonnie Mary Hay it’s halliday to me,
When thou art coothie, kind, and free,
There’s nae clouds in the lift, nor storms in the sky,
My bonnie Mary Hay, when thou art nigh.
Bonnie Mary Hay thou mauna say me nay,
But come to the bower by the hawthorn brae,
But come to the bower, and i’ll tell ye a’ what’s true,
O Mary, I can ne’er lo’e ane but you.
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sprightly air, But nane to please my fan.^cy fan’, Un..till I met wi’ a
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The dimpled cheek an’ sparkling e*£,
Ne’er fail’d to touch my heart a_wee;
An’ every handsome airy lad,
A share of my affections had. .
But amang them a’ there was na one,
Cou’d gain a heart like a Highlandman.
■ 3
By Nature form’d wi’ grace an’ ease,
Posessing every power to please,*
An’ when he pleads the cause of love,
He makes the coldest breast approve.
I wi’ a blush behind my fan,
m u 7
Owns nane can love like a Highlandman.
4
Last week a Lord wi’ coach sae braw,
Thought he w ad win me frae them a’,
But soon he saw his hopes were vain,
For he cou’d ne’er a smile obtain.
The French in Egypt also fan’.
They cou’dna strive wi’ a Highlandman,
5
Our vows exchang’d, I rove at ease,
I ken he’s mine when_e’er I please;
An’ wha can say I am to blame,
Because I own for him my flame;
The world allows that no man can,
Make love, or fightlike a Highlandman,
For the Flute.
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Published hi GvnMmif k D'Almninc ,
<0 SOHO SQUARE ,
U> be had rf all ' 21/ii.sifScllens:. l/i the United l iite/dcin .
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Exercises lor the Piano forte. b\: C li.BinhrJP /6
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SOFT ORGAN
MODERATO . SOFT ORGAN
2
ST' OP UXP OP EX D1APAS0X
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Preludes &c.
31 A PA SONS
7
ANDANTE .
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